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Lizzie Borden : Warps & Wefts

~ News, articles and photos about The Lady, The Crime, The City and The Era

Lizzie Borden : Warps & Wefts

Monthly Archives: February 2010

Grand Tour Ladies’ Passport Applications

26 Friday Feb 2010

Posted by administrator in "Lizzie Folks", Fall River families, Potpourri

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Carrie and Anna Borden and Lizzie all applied for passports on the same day.  Ellen Shove’s application comes from 1889 as does Elizabeth Brayton’s.  The hunt is still on for Miss Cox and Sarah Brayton’s passport application.  Unfortunately, photos were not required at the time. Interesting to note the average height of ladies was 5′ 3″-5’4, with “Roman” nose and “fair” complexion listed as descriptions of personal traits.  Lizzie’s passport application is included in the March article at the link above, and lists her hair as light brown – putting an end to Lizzie the Redhead myth.

New for March

24 Wednesday Feb 2010

Posted by administrator in "Lizbits", "Lizzie Folks", Fall River, Just Plain Lizzie, Mutton Eaters Online, Potpourri

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Lizzie Borden's Grand Tour

Some have speculated that had Lizzie not experienced a taste of the Good Life on her 19 week Grand Tour adventure, she may not have become so disenchanted with life at #92 in Fall River.  Sadly, we do not know much about all of the places Lizzie visited, but it is possible, based on travel diaries and journals of the period, to piece together what it may have been like to make the transatlantic crossing in 1890 with a band of girlfriends for the first time, and imagine what fun Lizzie must have had.  Maybe one fine day a diary or journal will come forth with more details, penned by one of the ladies who accompanied Lizzie.  Until then, the Mutton Eaters Online article for March can be found at the top of the page- Making the Grand Tour!

Patrick Doherty

19 Friday Feb 2010

Posted by administrator in August 4th, Borden Family, Borden House Interiors, Crime Scene, If Walls Could Talk, Murder Most Foul

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Fall River Police Dept., Patrick Doherty

1896 photograph courtesy Fall River Police Dept.

Patrick Doherty arrived at the Borden house slightly after 11:30.  His observations about the crime scene in the guest room are worthy of note, especially his remarks on the blood of Abby Borden, which would give good indication that her death was considerably before the death of Andrew Borden. Doherty was in the thick of things that morning, first having a good look at Andrew Borden’s wounds:

“I noticed there was one wound down here, across the eye, that was very deep. It looked to me on the left side of the face, the right side was on the sofa, and the eye seemed to be knocked out, hanging by some thread or something. There was another wound came down by the nose, or down by the cheek bone, the cheek bone was open wide, by the cheek bone clear down to the neck was laid right open.” (Preliminary)

 Then Doherty followed Dr. Bowen upstairs to examine the body of Abby. Doherty moved the bed. His was the first examination, before the arrival of medical examiner, Dr. Dolan:

“ I went to the foot of the bed; I looked at her. She was laying face downwards between the dressing case and the bed. I noticed three or four blood spots on the pillow sham, and a bunch of hair on the bed.

Q. How large a bunch?

A. Well, it was a small bunch.

Q. It was not a switch or false hair?

A. No, I think it was human hair that had been pulled out, or something, been cut out, or something.

Q. Give me some idea how much.

A. About half as big as that, I should think.

Q. On the bed?

A. On the bed. I wanted to examine the woman, but there was not room between the bed and dressing case to walk. I walked back to the foot of the bed, up around the north side of the bed, and I pulled it out about three feet, away from her.

Q. Towards the street?

A. No, pulled it against the north wall, away from her head.

Q. So to make the space between the bed and the dressing case, wider?

A. Yes. I pulled it away, and I went in, and I stooped down and I saw that she was lying in a pool of thick black blood, and her head was all cut.

Q. Face down, or back down?

A. Face down.

Q. How were her arms?

A. This way, something like that. I just put one finger here, and raised this a little bit so I could see under the hair around the ear better.”(Preliminary)

 Afterward, Doherty ran down Spring St. to place a call to the city marshal.  The telephone was in the undertaker’s shop which was opposite the Catholic Church (St. Mary’s). When Doherty returned to #92 Dr. Dolan was on the spot, and after speaking with the maid, Bridget Sullivan, Doherty enlisted Officer Mullaly in making a search of the house. The cellar door was locked, and rooms were searched with the exception of Emma’s room.

“Q. What did you find in your search?

A. We did not find anything.

Q. Were you one of those who assisted in finding the hatchets?

A. I was there when the officer had the hatchet; I did not find it.

Q. And the axes?

A. Yes sir.

Q. What officer had it when you first saw it?

A. Mr. Mullaly.

Q. You did not see where he got it?

A. I did not see where he got it. I saw him take it from a shelf about as high as his head.

Q. Did you make any examination of the hatchet yourself?

A. I just looked over his shoulder at it, that is, stood by his side and looked at it. ” (Preliminary)

Doherty also had an interview with Lizzie:

“A. I said “Miss Borden, where were you when your father was killed”? She said “I was in the barn”. I said “is there any Portuguese working on the farm over the River for your father?’ She said “no sir”.”Who works for your father?” She says “Mr. Eddy, and Mr. Johnson; and Mr. Eddy has been sick.” I asked her if either Mr. Eddy or Mr. Johnson were in town this morning, or up here to the house this morning. She said “no sir.” “Neither Mr. Eddy nor Mr. Johnson would hurt my father.”

Q. Anything more?

A. No Sir.

Q. Did she say anything about a noise, or hearing any noise?

A. Yes Sir. I asked her, I said “Miss Borden, did you hear any screams, or outcries”? She said “No sir. I heard some kind of a peculiar noise”. I says “can you describe the noise”? She says “no, not very well; something like scraping”. That is all the conversation I had with her.”(Preliminary)

 Doherty was also sent to inspect the properties surrounding the Borden house and went to examine the views from the Chagnon house behind the Borden barn.  Doherty would also give a good description of the dress Lizzie had on that morning as being a light blue background, a “challie” cotton print with a dark blue figure or spot on it, a description which is similar to that given by others.

Feb. 17th History Club Meeting

17 Wednesday Feb 2010

Posted by administrator in Fall River, Fall River Now and Then, Potpourri

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Fall River History Club meeting
  
Wednesday, February 17, 2010, 6:30 pm

Fall River Public Library, Fall River, MA
  
Topic:  The Fall River Fire of 1916

Presented by George Petrin

The fire started in the basement of the Steiger store in the evening of February 15, 1916 Over thirty businesses were destroyed and the losses totaled  over 1.5 million.The fire burned for over 5 hours and consumed several acres of the business district.

  March 17   Bob Kitchen will discuss the geology/geography of Fall River,and how Fall River became the largest producer of cotton in the world!

Youtube Lizzie

16 Tuesday Feb 2010

Posted by administrator in "Lizbits", August 4th, Borden Family, Borden House Interiors, Borden Spaces and Places, Crime Scene, Second Street Happenings

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Pear Essential Players

Pear Essential Players Appear in Recent House Promo

Ric Rebelo has produced another great Lizzie video, this one promoting the Lizzie Borden Bed and Breakfast. The Pear Essential Players, a “Bordenian” Acting Troupe which performs only on August 4th, is featured in in 2008 and 2009 performances.  The video is accompanied by wonderfully atmospheric music and commentary by co-owner, Lee Ann Wilber.

http://www.lizzie-borden.com/    http://pearessentialproductions.org/

1895 Murder for Christmas

16 Tuesday Feb 2010

Posted by administrator in Potpourri, Stop the Press, Victorian True Crime, Violent Victorians

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In Cold Blood, Stagger Lee Shooting, Violent Victorians

 


Most “Boomers” will recall the big hit Lloyd Price had with Stagger Lee back in the 60′s but few probably know that there is a true story of Victorian crime connected to the pop tune. St. Louis, Missouri was the place where Stack Lee Shelton and Billy Lyons had some kind of disagreement on Christmas night- whether over gambling, politics, or a woman, is not clear. The final insult came when Billy took Stack’s fine Stetson hat, and Stack pulled out his gun and shot Billy dead on the spot in a bar room.

Stack Shelton did time for the murder, ultimately dying in prison of tuberculosis in 1912.  Their story has been immortalized in song in many versions over the years.  Thanks to Murder by Gaslight for shining a  light on this case. For much more about the details visit their link at http://murderbygasslight.blogspot.com/2009/09/staggerlee_05.html

Lyrics to the Lloyd Price version

The night was clear, and the moon was yellow
And the leaves came tumblin’ down
. . .

I was standin’ on the corner
When I heard my bull dog bark.
He was barkin’ at the two men
Who were gamblin’ in the dark.

It was Stagger Lee and Billy,
Two men who gambled late.
Stagger Lee threw a seven,
Billy swore that he threw eight.

“Stagger Lee,” said Billy,
“I can’t let you go with that.
“You have won all my money,
“And my brand-new Stetson hat.”

Stagger Lee went home
And he got his .44.
He said, “I’m goin’ to the ballroom
“Just to pay that debt I owe.”

(bridge)
Go, Stagger Lee

Stagger Lee went to the ballroom
And he strolled across the ballroom floor.
He said “You did me wrong, Billy.”
And he pulled his .44.

“Stagger Lee,” said Billy,
“Oh, please don’t take my life!
“I’ve got three hungry children,
“And a very sickly wife.”

Stagger Lee shot Billy
Oh, he shot that poor boy so hard
That a bullet went through Billy
And broke the bartender’s bar.

Nance O’Neil Speaks!

15 Monday Feb 2010

Posted by administrator in "Lizzie Folks", If Walls Could Talk, On Screen, On stage, Potpourri, YouTube Lizzie

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Nance O'Neil


1931 Transgression starring Nance O’Neil as Honora Maury with
Kay Francis … Elsie Maury
Paul Cavanagh … Robert Maury
Ricardo Cortez … Don Arturo de Borgus
For more about the film, plot and stars, visit http://www.imdb.com/title/tt0022501/

Lizzie’s Flower

12 Friday Feb 2010

Posted by administrator in "Lizbits", 1890 fashion, Ephemera, Potpourri, Victoriana

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The Lizzie Borden Flower

Over the decades since Lizzie Borden’s death in 1927, the pansy has become the flower associated with her.  She herself never claimed that this was her favorite, and we have only the well-known photograph of her wearing the pansy brooch at her throat as any indication that she liked the flower.  Whether it was a favorite of Lizzie’s or merely a favorite blossom of the era cannot be known with any certainty.  Postcards, other ephemera, jewelry, household decorations, needlework, painted china, and such are all lavished with pansies.  It was a sentimental favorite, probably second only to blue forget-me-nots.  Violets, which signify faithfulness, and rosebuds of varying colors were other flowers most often seen.  The Language of Flowers was a popular code of the times, of which most ladies were very knowledgeable.  Pansies, from the French “pensees” means “thoughts”.  Naturally this was an ideal flower to associate with card sending and gift-giving.  There is a very good possibility that Lizzie’s pansy brooch was a gift given to her by a lady friend of close acquaintance.  Lizzie seemed to have a great many dresses in her closet which featured blue, so perhaps the blue-violet shades of pansies appealed to her for that reason.  Another well-know name for the tiny johnny-jump up, a diminuative pansy cousin, was “heart-ease”.  The motif was very popular in handwork for ladies of the time.  A lady reporter who wrote about Lizzie’s neat bedroom mentions a pale blue coverlet worked in embroidered flowers by Lizzie.  Too bad she did not mention what kind of flowers!  Today a vase of silk pansies is kept in Lizzie’s bedroom on Second Street, a Victorian oil painting of pansies hangs above her bed and pansies are always planted in the garden at #92.

Here is a poem by Louisa Don Carlos, born in 1874, one of many Victorian verses about the beloved pansy.

O give me not red roses,
That early dews have wet!
They speak to me of kisses
That are remembered yet.
 
O bring me not white roses,
That summer winds have drest!
For once I placed white roses
Upon a quiet breast.
 
But bring me purple pansies
If so you wish to please,
For them I have affection;
For pansies are “heart’s ease”.

Victorian Screensavers

09 Tuesday Feb 2010

Posted by administrator in Potpourri, Victoriana

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Just in time for Valentine’s Day- Victorian screensavers, icons and magnets.  Click on this link and scroll away to Victorianize your computer today!    http://www.corrieweb.nl/gaslight/screensaver.htm

 

 

All site content under copyright 2007

The Eyes of Lizzie Borden

"Faneyes" by xxHollzxxDesignz (c) 2007 for W&W

Lizzie Borden Warps and Wefts

Marion. Massachusetts

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Recent Posts

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Be a lamb and donate to the Animal Rescue of Fall River today! Lizzie’s Boston Bull terriers: Laddie Miller, Royal Nelson and Donald Stuart thank you!

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Parallel Lives Has Arrived!

From the Fall River Historical Society comes the most eagerly-awaited book on the Borden Case and Lizzie Borden's Fall River

Available November 21st! From the Fall River Historical Society comes the most eagerly-awaited book on the Borden Case and Lizzie Borden's Fall River featuring new photographs of Lizzie and revealing details from journals and letters which will shine a new light on Lizzie Borden. A must-have for all interested in old Fall River and Lizzie Borden. For more information and updates, visit http://www.lizzieborden.org/ParallelLives.html
Warps-The threads that run lengthwise in a woven fabric, crossed at right angles to the weft. Wefts-The horizontal threads interlaced through the warp in a woven fabric. In 1876, Fall River had 1/6th of all New England cotton capacity and one-half of all print cloth production. The "Spindle City" as it became known, was second in the world to only Manchester, England.

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Lizzie Borden, Girl Detective

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Lizzie’s Little Delivery Girl Laura Vestal

click image for special feature Another Side of Lizzie Borden by Jack Faria

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Carved In Maplecroft’s Mantel

And old time friends and twilight plays, And starry nights and sunny days. Come trooping up the misty ways, When my fires burn low.

image link to article

Mutton Eaters!

click to meet the Second Street Irregulars

Pear Essential Players Online

click on image to visit website

Memorable Lizzie Inquest Testimony

Q. Beside that, do you know of anybody that your father had bad feelings toward or who had bad feelings toward your father? A. I know of one man who has not been friendly with him. They have not been friendly for years. Q. Who? A. Mr. Hiram C. Harrington. Q. What relation is he to him? A. He is my father's brother-in-law. Q. Your mother's brother? A. My father's only sister married Mr. Harrington. Q. Anybody else that was on bad terms with your father or that your father was on bad terms with? A. Not that I know of.

The Borden Alphabet Broadside

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There's no evidence of guilt, Lizzie Borden, That should make your spirit wilt, Lizzie Borden; Many do not think that you Chopped your father's head in two, It's so hard a thing to do, Lizzie Borden. You have borne up under all, Lizzie Borden. With a mighty show of gall, Lizzie Borden; But because your nerve is stout Does not prove beyond a doubt That you knocked the old folks out, Lizzie Borden. A.L. Bixby

Lizzie and those pigeons

Lizzie's Inquest Testimony

Q. Can you tell of the killing of any animal? Or any other operation that would lead to their being cast there, with blood on them?
A. No sir. He killed some pigeons in the barn last May or June.
Q. What with?
A. I don't know, but I thought he wrung their necks.
Q. What made you think so?
A. I think he said so.
Q. Did anything else make you think so?
A. All but three or four had their heads on. That is what made me think so.
Q. Did all of them come into the house?
A. I think so.
Q. Those that came into the house were all headless?
A. Two or three had them on.
Q. Were any with their heads off?
A. Yes sir.
Q. Cut off or twisted off?
A. I don't know which.
Q. How did they look?
A. I don't know, their heads were gone, that is all.
Q. Did you tell anybody they looked as though they were twisted off?
A. I don't remember whether I did or not. The skin, I think, was very tender. I said, "Why are these heads off?" I think I remember of telling somebody that he said they twisted off.
Q. Did they look as if they were cut off?
A. I don't know. I did not look at that particularly.
Q. Is there anything else besides that that would lead, in your opinion so far as you can remember, to the finding of instruments in the cellar with blood on them?
A. I know of nothing else that was done.

Click hatchet to hear “You Can’t Chop Your Poppa Up”

Click on #92 below for the Chad Mitchell Trio Version

A new Youtube documentary not to miss!

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Categories

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