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Lizzie Borden : Warps & Wefts

~ News, articles and photos about The Lady, The Crime, The City and The Era

Lizzie Borden : Warps & Wefts

Daily Archives: February 22, 2012

The Borden Monument Work Order

22 Wednesday Feb 2012

Posted by administrator in Borden Family, Borden-related gravesites, Fall River, Oak Grove Cemetery, Potpourri

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Alexander Lawson, Borden Family Plot, Borden Headstone, Granite Industry in New England, RI, Smith's Granite Company, Westerly

The Borden Monument

By Shelley Dziedzic (all rights reserved, February 2012)

 

Click on the photo of the worksheet above to use enlargement ZOOM tool

Not surprisingly the Borden plot is the most visited site in Oak Grove Cemetery.  On the day of the funeral of Abby and Andrew Borden, only grass and many trees surrounded the open graves lined with pine branches.  Of course the Bordens were not buried on the date of their joint funeral, August 6, 1892, but instead lingered in a holding tomb at the cemetery awaiting a full autopsy on August 11th and burial at last on August 17th.  It would not be until January 1895 that the stately Westerly blue granite monument would be set in place, along with the rectangular headstones bearing the initials of the victims.

With Fall River being famous for granite, especially rose granite, one wonders why Emma and Lizzie Borden did not shop for a fitting monument in their own home town.  The fact was that Smith’s Granite Company of Westerly, Rhode Island was the most prestigious monument supplier of its day, with offices in many major American cities.  Providence would have been the nearest branch to Fall River. Smith’s could claim orders from all of the finest old families as well as being in demand to supply important statues and civic monuments and memorial stones across the country. Emma and Lizzie chose the very best to mark the site of their eternal rest.

The stone was ordered on July 2, 1894, almost two years from the date of the burial of Abby and Andrew Borden.  The stone is nine feet in height and is divided into five separate segments.  The cost of the labor and materials is carefully noted in the order book, and the date of each stage of the work is listed when completed at the top of the page by stone numbers 1-5.  The stone was crated and shipped by rail on January 4, 1895. The base is Stone #1, #2 is the section containing A.J. Borden in raised and polished letters, #3 is the panel stone where names and dates are inscribed, #4 is the most intricately carved by master carver, Mr. L. Galli who was paid $230.79 and #5 is the cap stone.  At the bottom of the page appears the order for the small headstones.  There are four of them with the lettering and polishing done by William Drew and J.F. Murphy.  The four are AJB,(Andrew Jackson Borden) ADB, (Abby Durfee Borden) SAB (Sarah Anthony Borden) and the full name Alice, the sister who died very young.  No doubt the matching headstones of Lizzie and Emma were added at a much later date, and also the inscription on the panel of the main marker added in 1927 or later.

It is interesting to note on this order sheet that the panel engraving had to be done twice due to an error.  Many have remarked that there is an “S” added to Lizzie’s name and wondered if this was an order left by Lizzie to be completed after her death or merely an error on the part of the carver, who may have thought Andrews was a surname and that Andrew was an unlikely middle name for a woman.  Lizzie had, herself, opted to change her name unofficially to Lizbeth, but is not known to have added an “S” to her middle name of Andrew.

It is unknown exactly when the names of Emma and Lizzie, and their dates of birth and death were added to the panel, or whether either sister ever actually saw the panel with their names on it.  It is not uncommon to have names and dates of birth engraved on a stone while the person is still alive, with the death date added after the fact.  This may or may not have been done at the time of the creation of this monument. As particular as Lizzie was known to be, it would be easy to make the case that she never saw the panel in life to catch the error.

Newspapers printed that on the day of the stone’s installation, Lizzie and Emma went out to inspect the work.  It was reported that Lizzie only gave a cursory glance and then went back to her carriage.  Emma is said to have made a careful inspection.  The cost today of the stock and labor for this monument would be many times the figure on this work order.

A list of artisans who worked on the Borden monument:

Pat Holliday, Jas. Brown, Mike Burke, Jas. Dower, Tom Holliday, George Rae, P. Craddick, F. Polletti, J.D. Craddick, Joe Frasier, L. Galli, Dan Kelleher, James Blake, Ira Norman, George Dunn, William Frances, Frank Roads, John Moore, J.F. Murphy and William Drew.

  • Alexander Lawson, a Scottish-born stone carver from Aberdeen, who immigrated in the great Scottish wave which came to America lived and worked in Westerly, Rhode Island before moving to Fall River to open his own granite works and monument business on Prospect Street, just outside the gates of Oak Grove Cemetery.  The family lived on Robeson Street for many years, and the business was inherited by Frederick Lawson, Alexander’s son and prospered for many years. Alexander Lawson is credited with the carving of the 1873 arch at Oak Grove.

The diagram and details for this article were furnished by the Smith-Babcock House Museum on Granite Street in Westerly, R.I. The diagram is reproduced with permission.  Additional information on Smith’s and the granite industry in Westerly may be found in the excellent publication, Built From Stone: The Westerly Granite Story by Linda Smith Chafee, John B. Coduri, and Dr. Ellen L. Madison. Copies may be purchased at Other Tiger Bookstore on High Street in Westerly or at this link http://www.builtfromstone.com/

Visit the Smith-Babcock House Museum, which is the premier repository of archived materials relating to the granite industry in Westerly. http://www.babcock-smithhouse.com/

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Available November 21st! From the Fall River Historical Society comes the most eagerly-awaited book on the Borden Case and Lizzie Borden's Fall River featuring new photographs of Lizzie and revealing details from journals and letters which will shine a new light on Lizzie Borden. A must-have for all interested in old Fall River and Lizzie Borden. For more information and updates, visit http://www.lizzieborden.org/ParallelLives.html
Warps-The threads that run lengthwise in a woven fabric, crossed at right angles to the weft. Wefts-The horizontal threads interlaced through the warp in a woven fabric. In 1876, Fall River had 1/6th of all New England cotton capacity and one-half of all print cloth production. The "Spindle City" as it became known, was second in the world to only Manchester, England.

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Q. Beside that, do you know of anybody that your father had bad feelings toward or who had bad feelings toward your father? A. I know of one man who has not been friendly with him. They have not been friendly for years. Q. Who? A. Mr. Hiram C. Harrington. Q. What relation is he to him? A. He is my father's brother-in-law. Q. Your mother's brother? A. My father's only sister married Mr. Harrington. Q. Anybody else that was on bad terms with your father or that your father was on bad terms with? A. Not that I know of.

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There's no evidence of guilt, Lizzie Borden, That should make your spirit wilt, Lizzie Borden; Many do not think that you Chopped your father's head in two, It's so hard a thing to do, Lizzie Borden. You have borne up under all, Lizzie Borden. With a mighty show of gall, Lizzie Borden; But because your nerve is stout Does not prove beyond a doubt That you knocked the old folks out, Lizzie Borden. A.L. Bixby

♣ Lizzie and those pigeons

Lizzie's Inquest Testimony

Q. Can you tell of the killing of any animal? Or any other operation that would lead to their being cast there, with blood on them?
A. No sir. He killed some pigeons in the barn last May or June.
Q. What with?
A. I don't know, but I thought he wrung their necks.
Q. What made you think so?
A. I think he said so.
Q. Did anything else make you think so?
A. All but three or four had their heads on. That is what made me think so.
Q. Did all of them come into the house?
A. I think so.
Q. Those that came into the house were all headless?
A. Two or three had them on.
Q. Were any with their heads off?
A. Yes sir.
Q. Cut off or twisted off?
A. I don't know which.
Q. How did they look?
A. I don't know, their heads were gone, that is all.
Q. Did you tell anybody they looked as though they were twisted off?
A. I don't remember whether I did or not. The skin, I think, was very tender. I said, "Why are these heads off?" I think I remember of telling somebody that he said they twisted off.
Q. Did they look as if they were cut off?
A. I don't know. I did not look at that particularly.
Q. Is there anything else besides that that would lead, in your opinion so far as you can remember, to the finding of instruments in the cellar with blood on them?
A. I know of nothing else that was done.

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