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Lizzie Borden : Warps & Wefts

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Lizzie Borden : Warps & Wefts

Tag Archives: Blue Coyote Productions

After the Axe

21 Tuesday Sep 2010

Posted by Shelley in "Lizbits", "Lizzie Folks", "Lizziewear", Case Personalities, In the News, Just Plain Lizzie, On stage, Read All ABout It, Theories

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Blue Coyote Productions, Nance O'Neil

(photo by Beau Allulli) “Nance O’Neil”: Rachel Brown (standing) and Jonna McElrath in this play at Access Theater

Reviews still coming in for the new production by the Blue Coyote Group.  Much praise has been lavished on the costume designer, and word has leaked that a “theory” about the crime is suggested in the production.   The interaction between Lizzie and her sister Emma is praised by critics  as a strong element in the play, and the play in general is receiving positive reviews. Get down to the Access theatre soon , for the play closes October 9th!

David Rooney’s review: http://theater.nytimes.com/2010/09/21/theater/reviews/21nance.html

 

Lizzie Borden Warps and Wefts

Lizzie Borden Warps and Wefts

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Warps-The threads which run lengthwise in a woven fabric, crossed at right angles to the weft. Wefts-The horizontal threads interlaced through the warp in a woven fabric. In 1876, Fall River had 1/6th of all New England cotton capacity and one-half of all print cloth production. The "Spindle City" as it became known, was second in the world to only Manchester, England.

Carved In Maplecroft’s Mantel

And old time friends and twilight plays, And starry nights and sunny days. Come trooping up the misty ways, When my fires burn low.

Lizzie and those pigeons

Lizzie's Inquest Testimony

Q. Can you tell of the killing of any animal? Or any other operation that would lead to their being cast there, with blood on them?
A. No sir. He killed some pigeons in the barn last May or June.
Q. What with?
A. I don't know, but I thought he wrung their necks.
Q. What made you think so?
A. I think he said so.
Q. Did anything else make you think so?
A. All but three or four had their heads on. That is what made me think so.
Q. Did all of them come into the house?
A. I think so.
Q. Those that came into the house were all headless?
A. Two or three had them on.
Q. Were any with their heads off?
A. Yes sir.
Q. Cut off or twisted off?
A. I don't know which.
Q. How did they look?
A. I don't know, their heads were gone, that is all.
Q. Did you tell anybody they looked as though they were twisted off?
A. I don't remember whether I did or not. The skin, I think, was very tender. I said, "Why are these heads off?" I think I remember of telling somebody that he said they twisted off.
Q. Did they look as if they were cut off?
A. I don't know. I did not look at that particularly.
Q. Is there anything else besides that that would lead, in your opinion so far as you can remember, to the finding of instruments in the cellar with blood on them?
A. I know of nothing else that was done.

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