Getting #92 ready for her close-up

This year the house outside was pristine, having just had a new coat of paint. The tent was up for visitors to wait under , shielded from the hot sun, and lemonade and hatchet cookies were ready for refreshment.  Thanks go out this year to Debbie, Anna and Walter for keeping everyone cool and refreshed!

Naturally any photographs on the wall inside which were not family photos were taken down.  Several crime scene photos were shown to visitors as “just having been developed and sent over by Mr. Walsh who was hired by the police department to shoot the crime scenes.”

For the first time this year, inasmuch as “CSI” was in the title of this year’s adaptation, blood spatter was applied to the wall and doors in the sitting room. After trying several concoctions, cherry preserves was found to give the best effect.  John Morse mentions about 60 drops on the door into the parlor.  Emma Borden would wash these off later in the evening on the 4th.  Spatter was also applied to the framed engraving over the black sofa.  Most visitors made a note of this on their exit polls. (photos courtesy of Lee Ann Wilbur)

This year the bed in the guest room where Abby Borden was killed was moved in order to reproduce the photo of Abby taken from the door way.  A blood-spattered coverlet and shams were on the bed as well as a tuft of hair.  More blood was used than on the genuine article which was on display down at the historical society in a special Bordenalia exhibit.

It is remarkable that the crime scene still exists after so many years, so everyone who visits is very forgiving of modern conveniences such as electric sockets, lamps, refrigerators, etc, and turns a blind eye to these minor things which distract from time travel to 1892.

The dress worn by Elizabeth Montgomery in The Legend of Lizzie Borden, and other clothing items usually on display were put in the upstairs bathroom, which at one time was actually a dress closet.  Down in the cellar, the search for hatchets and other possible weapons, conducted by Detective Seaver, gave a glimpse to visitors of just where these items were found, and offers a visit to the Borden cellar, always a place guests wish to see.

Using a detailed sketch of the rooms done by Kiernan in 1892 as reference, Lizzie’s fainting couch was placed where it had been, between the two windows. Lizzie lounged with her pink and white wrapper with cherry ribbons which Officer Harrington would later describe in such detail that it brought a smile from Lizzie in court.

With so many period antiques in place in the house, dressing the house for a performance is easy.  The two crime scenes are particularly accurate in furnishings, and most guests take note of this as they examine the 1892 photographs.  With just a little imagination, it is not hard to go back in time and visualize how the rooms must have looked.  At 9:30 and 11 a.m., a hush always falls on the house as cast and guests recall what was happening so many years ago.